ARTiSTORY expands global reach with new US office and development in Southeast Asia and Oceania

ARTiSTORY is expanding its global reach with the opening of its US office where it will serve its portfolio of IP clients in the North American market. At the same time, the business’ Singapore office has officially welcomes a new force to lead development of the Southeast Asia and Oceania markets.

Co-founded by Yizan He and Natasha Dyson, ARTiSTORY is a specialist in cultural IP licensing with capabilities in transforming “Artifacts to Merchandise” and creative contents. The outfit reaches a global audience with merchandise and promotional licensing inspired by art and culture.

The addition of the US and Singapore operation grows ARTiSTORY’s global presence, now covering markets across Asia and Pacific, Europe, the Middle East and Africa as well as America. Co-Founder Yizan He is also serving as a General Partner of Sinofaith IP Investment Company (SIPIC), an entity that embarks on a unique “IP+Investment” business mode by injecting premium IP rights and working capital to empower startups in the art and culture sector.

Supported by SIPIC, ARTiSTORY has made clear its determination to ‘build a genuinely global powerhouse of art, cultural and science related IP and a full ecosystem of IP licensing business.’

Anna Stein has now joined the firm as country manager and business development director for North America and will work closely with Yizan He and Natasha Dyson. Stein has a background in art history and brings a wealth of experience and enthusiasm to the role after having worked in global licensing for over 15 years.

Previously, she has worked for major studios such as Nickelodeon and Twentieth Century Fox, as well as working on the manufacturing and the agency side of licensing.

“I am really impressed by the licensing model that ARTiSTORY has created and excited to work with new partners with this innovative company,” said Stein.

With Alicia Chen joining our Singapore office as country manager and business development director, she will work closely with Yizan He, UK and US office to develop Southeast Asia and Oceania markets. Having over 12 years of solid business development experience in B2B and B2C environment with C-level decision makers and national consulates across Asia markets; enhanced with Master of Science qualification in Marketing, Alicia has been focusing on lifestyle, and FMCG related sectors.

“I am delighted to be joining the team and looking forward to working together with the international team closely,” said Alicia Chen.

Yizan He, co-founder and CEO of ARTiSTORY, concluded: “We are thrilled to see both Anna and Alicia bring a vast array of resources to the international team. Together with these talents, we are ambitious to become a strong voice in the cultural enterprising scene across the globe.”

Digital food brand Chefclub signs Fashion UK for family apparel range across Europe

The digital food brand developed to inspire audiences into the kitchen, Chefclub, has joined forces with Fashion UK, the leading European textiles and accessories licensee, to launch an officially licensed Chefclub apparel collection for the family.

The new range will launch in spring/summer next year with a cross-generational appeal that promises to be ‘fun, fashionable, and of course gourmet.’ The collection will be initially available to all major European retailers across France, Germany, and the UK.

Established in Paris in 2016, Chefclub is a digital kitchen brand that has seen rapid growth across Europe, the US, Latin America, and China thanks to its regular output of video content across social media platforms. The brand’s mission is to ‘transform the kitchen into a space for sharing and having fun.’

To date, Chefclub content has tallied up more than two billion organic views each month, with 100 million followers worldwide.

Its new partnership with Fashion UK follows the recent deal with Groupe SEB for the production of a range of Chefclub by Tefal cookware. The company joins to strengthen the growing roster of Chefclub licensees as well as its international presence in the licensing arena.

International Space Archives takes giant leap into bedding and homewares through MDL deal

The International Space Archives (ISA) is taking one giant leap into the bedding and homeware sector thanks to a new partnership with the homeware licensing expert, Hermet. The deal has been brokered by ISA’s licensing agent, Maurizio Distefano Licensing.

Under the new deal, Hermet will create a bedding collection consisting of bedding sets and quilts, as well as a homeware collection featuring bathroom and kitchen textiles, living room rugs and cushions, tableware and beach towels. The collection will be customised with images of space exploration mission and the famous symbol of the American space programme.

The collection will be distributed in mass-market stores and in specialty stores for home furnishings. It will also be available online.

Over the past 50 years, manned and unmanned space programmes launched from the US and other countries have amassed a library still and motion photography. For the first time in its history, the International Space Archives has brought together a collection of the best imagery to be made available for licensing worldwide through LMI, and in Italy through MDL.

The Mission Patches, photos, films and video contained in the archive come from a variety of sources including, of course, the American space programme, as well as the international space programmes of Russia, Japan, China, India and the European Union.

Maurizio Distefano, president of MDL, said: “We are thrilled that imagery from the International Space Archives has been an inspiration to a company like Hermet, whose creativity will I’m sure deliver an impactful and eye-catching collection dedicated to space exploration.”

Hasbro and Reebok combine forces to launch Mighty Morphin Power Rangers footwear collection

The global entertainment powerhouse, Hasbro has partnered with Reebok to introduce a new collection of trainers based on the original ’90s television series, Mighty Morphin Power Rangers. The new family footwear collection pairs some of Reebok’s iconic silhouettes with five of the original Power Rangers.

The characters featured in the line-up include the Red Ranger, Black Ranger, Blue Ranger, Pink Ranger, Yellow Ranger, and Megazord, Each of the Reebok models represent their Power Ranger, bringing in elements to connect the show to its corresponding Power Ranger and Zord.

Beyond unique details that relate to each character, each style incorporates a Power Coin, the Power Rangers bolt and materials inspired by the metallic Zords. And if that’s not enough, all six models will be packaged in shoeboxes designed to resemble different elements of the Megazord.

Combine the six boxes and, you’ve guessed it, avid collectors will be able to assemble a limited edition Megazord figure akin to the television show model.

So let’s take a look at those six models in a little more detail.

The range kicks off with the Zig Kinetica II Red Ranger, pairing the Red Ranger’s athleticism and personality with Reebok’s new Zig Kinetica II. The shoe features a jagged toe box to represent the Tyrannosaurus Zord’s teeth with silver Zord accents along the midsole.

Next up is the Nano X1 Black Ranger, inspired by the Black Ranger’s sleek look, agility and speed. The shoe features a heel tab design that references the Black Ranger’s signature ’90s fashion sense.

Cluc C Legacy Blue Ranger pays homage to the Blue Power Ranger’s work through the translucent sole, which shows an imortant aspect of the shoe that is so often shrouded by the outsole. The sneaker also includes a white collar and heel blocking to resemble the design of the Triceratops Zord’s crown.

Reebok’s Freestyle Hi Pink Ranger is the company’s first workout shoe made exclusively for women, designed to represent the Pink Ranger – known for promoting individual empowerment and investing in others by teaching aerobics at her community centre. The shoe incorporates pink stripes down the front of the upper that make reference to the Pterodactyl Zord, as well as a green broken heart on the inside strap that alludes to the Pink Ranger’s relationship with the Green Ranger.

Club C Yellow Ranger, a silhouette known for its’ adaptability from the skate park to the tennis court, matches the Yellow Power Ranger’s signature versatility. In addition to Zord markings, the Club C Yellow Ranger features a wing logo on the back of the tongue as a tribute to Yellow Ranger actress Thuy Trang.

Finally, the Question Mid Megazord features a range of markings to represent the Zord, from the black and yellow logo on the tongue that resembles Zord eyes to the V-printed eyelets that emulate Zord teeth. The shoe also includes a question mark on the right toe with an M for Megazord.

The Question Mid Megazord will be available exclusively at Reebok.com/power_rangers beginning June 29, 2021. All remaining models in the Reebok x Power Rangers collection will be available at both Reebok.com/power_rangers and various additional retailers on June 29.

Currently, Power Rangers is celebrating 28 continuous years on the air, making it one of the longest-running kids’ live-action series in television history, with nearly 900 episodes aired to date.

Created by Haim Saban and launched in 1993 with Mighty Morphin Power Rangers, the franchise celebrates its 28th season, “Power Rangers Dino Fury,” currently airing on Nickelodeon in the US.

ITVBe star Billie Faiers to launch her own home and interiors brand with Hunter Price International

Billie Faiers, star of the ITVBe reality series, Mummy Diaries, has signed an exclusive deal with Hunter Price International to develop, design, market, and manufacture her new home and lifestyle brand.

The new brand will be unveiled in its full this summer and will feature a forward-thinking home furnishings and accessories line, alongside soft furnishings and kitchen and dining, for both adults an children. The brand will tap directly into Faiers’ own passion for home and interior design.

Sub-categories within the launch will include vases, candles, diffusers, lanterns, footstools, storage, cushions, throws, and more. News of the new brand launch coincides with confirmations that Faiers will be returning to ITVBe in a new spin-off show called Billie & Greg – The Family Diaries, which will focus on the life of the working mum, her husband Greg, and their children Nelly and Arthur.

Jeremy Winburn, commercial director at Hunter Price, said: “Our partnership with Billie marks a huge milestone for Hunter Price. Billie truly shares our passion for design and product, especially within the home and lifestyle arena and we can’t wait to bring this to market – it’s a really exciting time for the business.

“We’re working closely with Billie to develop a brand which has longevity, combining timeless and classic design, with relevant and on-trend product, which represents her own style and really connects and engages with her huge fan base.”

Billie Faiers, said: “Creating my own home and lifestyle brand has been a goal for so long and the team at Hunter Price were the perfect partner, as they really understand the retail landscape and my vision.

“We’re getting ready to unveil the brand later this Summer and we’re working really hard on the debut collections, which will be out in the market next year. I can’t wait to share this journey of my brand with everyone on the new TV show and throughout our own huge house project.”

Horticultured | The Royal Horticultural Society on bringing 200 years’ of gardening history to new audiences

From garden tools to wine, and chocolates to canvas shoes, all via the mulch aisle, when the Royal Horticultural Society puts its name to something, it carries with it the weight of over 200 years’ of rich heritage and authority on the subject of the country’s unerring love affair with the garden and the produce of the natural world it inhabits.

At a time in which heritage licensing is witnessing a stark upwards curve in demand from consumers today, while gardening is seeing an equal surge in consumer interest from across the age ranges, spanning children an families, to young adults and of course the core audience within which the RHS brands sits, it’s understandable that the organisation’s licensing division has become a hive of activity, abuzz with excitement over its latest developments in the space.

Here, Licensing.biz catches up with Cathy Snow, licensing manager at the RHS to find out how the firm brings its 200 years of history to the contemporary licensing space, what audiences are demanding from the heritage licensing sector today, and how the Royal Horticultural Society is embracing and encouraging new audiences to explore Britain’s own back gardens.

Hello Cathy, thank you for chatting with us today. To kick us off, could you give us an overview of the RHS brand and the values that it brings to the licensing space? How does the brand’s licensing efforts work to promote the ethos of the RHS, from wildlife and conservation to health and wellbeing?

Cathy Snow, Licensing Manager, RHS: “Inspiring everyone to grow” is our brand message and gardening has been our focus for over 200 years. But we turn this messaging into action. The Royal Horticultural Society is a charity, yes, but it’s also a campaigning institution, an educational powerhouse, and the owner of some of the most popular visitor centres and gardening shows in the country, regularly attracting millions of people. We also support everyday gardening and its proven physical and mental benefits, many of which became more apparent than ever last year.

Of course our licensing work helps us to fund these efforts and raise awareness of them. But licensing itself has to fit in with the brand and its ideals. Sustainability and good ethical and environmental practices are important in our campaigning work but also important in terms of choosing partners and supporting their manufacturing processes. 

The RHS brand is a hugely reputable and deeply respected name. How do you leverage the rich heritage of the brand itself to build on the licensing portfolio? Where do you begin with building out a programme for such a revered name as RHS?

The overall RHS licensing campaign, quite reasonably, references the brand’s rich British history. But it does a lot more than that. Our products succeed in the marketplace because we look at our core strengths and assets and focus on products centered around those. This approach is especially notable in the gardening category, where high-quality tools and stylish garden furniture are promoted alongside peat-free gardening products, and an extensive range of core gardening essentials suited to every level of gardening ability.

“More heritage organisations than ever are entering the licensing arena and developing licensed products – but the best of them are not solely focused on commercial gain.”

However, this approach also influences other categories, which aim to raise awareness of our work and ideals. Many designs – including those used on a growing selection of adult apparel – are inspired by imagery from the RHS Lindley Collections, the world’s largest collection of botanical art. Scholastic UK has launched a programme of entertaining, informative and beautifully illustrated activity books for children aged seven to 12, encouraging readers to explore and enjoy nature outdoors. Information on tags and packaging helps to promote our work. Our children’s clothing promotes gardening in a fun way with veg and plant imagery and witty slogans. And of course many of our products are made by craftspeople and sourced in the UK.

Whatever the category the licensing team work with licensees and retailers not only to provide the best possible products but also to educate consumers about gardening and share our own love of horticulture with everyone no matter their age, ability or gardening space. 

How has ‘heritage licensing’ changed over recent years, what do consumers expect in terms of brand narrative and story-telling in ‘heritage licensing’ today, and how is this reflected in your approach to licensing RHS?

More heritage organisations than ever are entering the licensing arena and developing licensed products – but the best of them are not solely focused on commercial gain. RHS licensed products must be relevant, appropriate and the best quality possible. If we don’t think a product is right for the RHS, we won’t approve it.

Consumers expect RHS licensed products to outperform other similarly available items; if a customer buys a pot with a 10-year frost-proof guarantee they expect it to last for more than 10 years. This is why we carefully approve every product and check its performance and quality. 

And of course, the brand narrative – inspiring everyone to grow – influences all our partnerships, from garden tools to wine and chocolates, and from mulch to canvas shoes.

The licensing and story-telling potential that RHS boasts must be incredibly exciting. What level of creativity does the depth of the portfolio afford you with your licensing plans? How are you applying innovation in licensing to new and varied audiences?

The RHS style guides are an obvious starting point. They make use of the RHS Lindley Collections – the world’s largest collection of botanical art, including some 25,000 works. This is the perfect combination of exciting and original but also highly appropriate material.

However, the RHS encourages licensees to use the Collections as they see fit – the art is an inspiration rather than a rulebook. For example, the recent Hotter range of canvas shoes created two exclusive repeat pattern designs from Lindley Collections illustrations to deliver something unique and evocative, while the Oasis design team re-sketched its chosen images by hand for a series of prints to be used in a new fashion collection.

“Gardening came into its own in pandemic-hit 2020 when RHS gardening product licensees saw a surge in sales, and the health benefits (physical and mental) of gardening were not just interesting insights but news headlines.”

Regularly refreshed style guides add to the choice. One such was the very successful RHS Licensing Geometric Style Guide 2018; this uses Parterre and knot garden styles dating from the 1600s and 1700s to reflect the trend for geometric designs. Another was a style guide for children’s products – building on the charity’s success in outreach for children, families and schools, and in child-friendly events at its gardens and shows.

And yes, there are new audiences, and we constantly monitor home and garden trends. For instance, our supporter base is changing. A younger audience is discovering the benefits of outdoor spaces and gardening. We’ve therefore expanded our product portfolio into products for children, families and younger adults, and children’s products will be a major focus for the RHS in the post-pandemic world. A recent success was an association with the award-winning George brand that produced a fabulous collection of children’s clothing and accessories aimed at one to seven year olds. There’s also been an RHS-inspired series of children’s books from Scholastic UK. 

How can licensing unlock the values of gardening, the outdoors, nature, wellbeing and all that RHS stands for with new generations?

For our gardening products – a major part of our licensed offering – there’s a clear link. And of course, gardening came into its own in pandemic-hit 2020 when RHS gardening product licensees saw a surge in sales, and the health benefits (physical and mental) of gardening were not just interesting insights but news headlines.

But even with homeware, apparel, confectionery and other non-gardening categories we aim to use packaging and POS to inform and educate where we can. We have thousands of botanical artworks available to licensees, many of which inspire product designs. These help to raise awareness of our gardens, flower shows, research, education and the excellent advice and information we can offer on all horticultural matters.

We always try to innovate and lead; this is reflected in our licensed products.

As for new generations, the move into children’s products – which actually started before Covid and lockdown – reflects the changing age of our supporters and, of course, the many initiatives the RHS as a whole has in place for children and schools.

How has the consumer’s relationship with ‘heritage licensing’ changed in the last 12 months? Has lockdown and the pandemic changed the way in which people want to experience art and culture? How does this influence your licensing strategy?

Consumers seem to be looking for products made by hand and closer to home, which we encourage, where feasible, through relationships with craft groups and UK-based partners. The growing public appeal of craft suppliers and companies based in the UK, as well as sustainability – in particular with the younger audience – fits in well with the brand values of the RHS.

Recyclable packaging, less plastic, low-impact manufacturing – these have always been aims of ours, but consumer awareness of environmental issues is now growing, and manufacturers are responding to this.

Another trend has been a huge increase in royalties for products for the home and especially the garden, not to mention more distribution channels opening up as retailers who might not normally look at gardening products or licensed products adjust to meet demand. 

“We won’t ever be complacent, but we do think we are now well positioned to grow the brand even more without compromising its values.”

What categories or licensing partners will be key to you as you build on the RHS portfolio? What will the lifestyle, home, and garden licensing spaces span, and how will you look to tell the story of RHS through these?

We’ve enjoyed enormous success in the ongoing expansion of our category portfolio and this expansion will continue. However, we also hope to strengthen existing product categories and in particular are looking to expand in homeware, children’s products and apparel. Partners with strong ethical and environmental credentials and those that highlight UK craftsmanship will remain a major part of our programme too.

Gardening will always be our core category and we aim to continue to target keen gardeners and would-be gardeners who are looking for quality and inspiring products to support their interest. But gardening too has branched out: luxury garden sheds, premium boots, trellises, indoor pot covers and the very successful RHS Gifts for Gardeners range are all indicators that the RHS is continuing to seize opportunities in both established and new categories.

The programme overall is well established and balanced: it’s making more money for the charity than ever while still reflecting our values and insisting on carefully chosen licensing partners. We won’t ever be complacent, but we do think we are now well positioned to grow the brand even more without compromising its values. 

What can we expect from the RHS in the licensing space in the coming year and beyond, what’s the next step for you guys in the sector?

We’ve announced several new partnerships so far this year (including hand-iced biscuits from Biscuiteers and children’s clothing from George) and more are to come. Some projects that were delayed last year are launching over the next few months. It has been – and still is – a really busy period. We’re expanding our small team and looking for a new Senior Licensing Development Executive and Licensing Development Executive to help generate new business and develop existing licensing partnerships.

The RHS gardens and shows are ready for a strong post-lockdown visitor response. This is an exciting time for us as a licensing team and for the RHS as a leading Heritage organisation.

Unilever to introduce paper-based bottles for laundry and hair care goods and expand UK refill trials

Unilever is embarking on a strategy to launch paper bottles to the Brazilian market next year, with plans to roll the ground-breaking new development for the packaging industry out globally in the following months.

The British multi-national consumer goods company will be implementing new technology to launch the first paper-based laundry detergent bottle for its leading brand OMO (also known as Persil, Skip, and Breeze in other global markets) and is scheduled to make its worldwide debut in Brazil next year.

The firm is also piloting the same technology to create paper-based hair care bottles.

Unilever has been working on the technology in partnership with the Pulpex consortium, a collaborative effort between Unilever, Diageo, Pilot Lite, and other industry members. Through the consortium, Unilever has been able to package liquids in first of its kind paper-based bottles made from sustainably sourced pulp. The material is designed to be recycled in the paper waste stream.

The packaging is able to liquid such as laundry detergent, shampoo, and conditioners – which all contain surfactants, fragrances, and other active ingredients – thanks to a proprietary coating that is sprayed on the inside in order to repel water.

The new development has been billed as a ‘promising solution to radically reduce the use of plastic’ and will certainly help Unilever achieve its own commitments to ‘a waste free world.’

Richard Slater, Unilever chief R&D officer, said: “To tackle plastic waste, we need to completely rethink how we design and package products. This requires a drastic change that can only be achieved through industry-wide collaboration. Pulpex paper-based bottle technology is an exciting step in the right direction, and we are delighted to be working together to trial this innovation for our products.

“Innovating with alternative materials is a key part of our sustainable packaging strategy and will play an important role in our commitment to halve our use of virgin plastic materials by 2025.”

Among its commitments to greater sustainability in the next four years, Unilever has said it will aim to half its use of virgin plastic by reducing its use of plastic packaging by more than 100,000 tonnes, help collect and process more plastic packaging than it sells, and ensure that 100 per cent of its plastic packaging is designed to be fully reusable, recyclable, or compostable.

Elsewhere, the firm is continuing to take strides in its sustainability measures with the expansion of its refillable packaging trials across the UK, including the first ‘return on the go’ pilot that allows shoppers on the go to pick up a pre-filled stainless steel bottle from a store shelf, and return it in-store once used.

Unilever kicked off its trial in Asda’s sustainability store in Leeds last year, offering customers the chance to refill products in store with stainless steel containers. According to the firm, its success has fueled an expansion of the trial programme to grab-and-go purchases.

Under the expanded trial, bottles will be pre-filled with some of the firm’s most recognisable brands – such as Persil, Simple, Radox, and Alberto Balsam – to be made available at selected Asda and Co-op stores by the end of the year. According to the firm, they will ‘be placed in-aisle to see if integrating fefillable products into usual shopping habits will increase uptake.’

In addition, Unilever will continue to test ‘refill on the go’, where consumers can purchase and refill reusable stainless steel bottles using a standalone refill machine.

These new test-and-learn trials will be the first of their kind at this scale in the UK. The aim is to gain a deeper understanding of the likelihood and habits of consumers using refillable and reusable packaging. They will evaluate different refill models, store formats and in-store locations, as well as different shopper experiences.

“To tackle plastic pollution with the speed and urgency needed, we must create scalable solutions which make it as easy as possible for people to make sustainable choices,” says Unilever UK and Ireland EVP and general manager, Sebastian Munden.

“We believe refills could be a game-changer in our ambitions to halve our use of virgin plastic by 2025; however, unlocking the full potential of the reuse economy requires a shift in mindset of how people shop. We are testing different refill models on a large scale in order to continue to build our understanding of how to enable this change most effectively.”

Underwear brand MeUndies steps into Bravado partnership for The Rolling Stones collection

The men’s and women’s underwear, sleepwear, and loungewear brand, MeUndies, has partnered with Universal Music Group’s merchandise and brand management company Bravado to launch a limited edition collaboration with The Rolling Stones.

The new MeUndies x The Rolling Stones collection will feature the band’s iconic tongue and lips logo on underwear, socks, bralettes, and loungewear.

“The Rolling Stones was one of my favorite bands growing up, and I was lucky enough to see them live for their 40 Licks tour while backpacking in Hamburg, Germany in 2003,” said Jonathan Shokrian, founder and CEO of MeUndies. “This collaboration allows both The Rolling Stones fans and our MeUndies community to celebrate legendary music and rock out in epicly-soft Undies.” 

Designed in 1970 by English artist John Pasche, The Rolling Stones logo is one of the most famous graphics in rock ’n’ roll history. The new MeUndies collection featuring the logo was created to celebrate the band, which has been promoting self-expression and inspiring fans to challenge the status quo and embrace their individuality since 1962.

“This limited-edition collection gives Rolling Stones fans a new way to show their love for the band,” said Christine Buckley, vice president, global brand management, Bravado. “MeUndies shares the same commitment to unself-conscious free expression that Mick and the band have always embodied, which is why this collab is such an exciting one.”

The collection is now available for purchase exclusively on MeUndies.com. All prints from MeUndies, including The Rolling Stones collection, are limited-edition, so once they sell out, they won’t come back.

MeUndies designs ultrasoft basics, including underwear, socks, sleepwear, loungewear and, now, swimwear for both men and women. The brand is committed to celebrating comfort, creativity and self-expression and is renowned for its ethos of inclusivity, body positivity and transparency, its MeUndies Gives program, and its frequent drops of colorful, trendy prints in its MicroModal line.

Tutu du Monde brings Mattel’s Barbie to the world if high end fashion for children

Mattel’s iconic fashion doll brand, Barbie is making its latest statement in the world of high end fashion for children via a partnership with Tutu du Monde and the global launch of a range of tutu dresses, day wear, and accessories for 2022.

The new collection will draw inspiration from the Barbie brand to deliver a collection of designs reimagined in the fashion dolls’ recognisable palette of power pastels and rainbow touches, complete with Barbie motifs to create a new collection for designed for kids.

The collection will be stocked at the likes of Harrods, Selfridges, Liberty, Bloomingdales, Saks, Harvey Nichols, and OUNASS among others.

Each Tutu Du Monde piece will be uniquely designed, tapping into the Barbie brand’s values of empowering limitless potential in girls. With a shared desire to celebrate little girls’ imaginations, each piece has been carefully designed to allow little ones the opportunity to dance, play and explore joyfully.

“When Barbie was created in 1959 by Ruth Handler for her daughter, her entire philosophy of Barbie was that through the doll, the little girl could be anything she wanted to be. Over 60 years on, Barbie continues to empower girls through imagination. This beautiful collection with Tutu du Monde of keepsake items can be worn for lasting memories that can be treasured forever,” said Gemma Daniels, head of softlines, UK and EMEA, Mattel.

Created in 2009 by the celebrated designer Andrea Rembeck, Tutu du Monde is based on the creative’s commitment to authenticity, quality and craftsmanship. The brand was born when Rembek’s daughter requested a tutu. Not inspired by the options on the market, Andrea turned to her talent and created her own.

Each Tutu Du Monde item is designed in Australia and produced in India by a team of artisans. The brand aims to capture the style of French ballet costumes.

Emoji partners with Nice ioi to launch new women’s fashion line in Taiwan

Emoji – The Iconic Brand is expanding its presence across Taiwan through a new partnership with the local fashion brand, Nice ioi and the launch of a new apparel collection designed for the urban woman. The new deal has been developed in tandem with Medialink Animation International Limited.

Nice ioi has billed the partnership as a major coup for the Taiwanese fashion label, championing Emoji as a global phenomenon and gobally recognised brand with product presence in over 130 countries worldwide.

“Partnering with Emoji is an important tool for Nice ioi,” said Katarina Cheng, CMO of Ioi. “We could not be more exited and look forward to seeing stunning results from the collision of the two well-loved brands. Nice ioi has just given the world another reason to be in love with the Emoji brand.”

Nice ioi is recognised for its focus on delivering customers fast, fashionable products. The new Emoji collection will be targeted towards woman with an urban style.

We’re proud to partner with Nice ioi who has done an amazing job in developing an emotional apparel collection for women in Taiwan. They are a highly respected partner of ours,” said Marco Huesges, CEO and founder of the Emoji Company.