Surge Licensing and WEBTOON announce exclusive licensing and merchandising partnership

WEBTOON, the world’s largest digital comics platform, has appointed brand management company Surge Licensing as the exclusive North American licensing agent for the platform. Genuine Entertainment’s Joe LeFavi was instrumental in developing the partnership and will continue to collaborate with WEBTOON and Surge as a strategic advisor in the endeavour.

Surge Licensing has been retained to develop an overall brand licensing strategy for WEBTOON as well as licensing and merchandise programmes in North America for the platform’s individual original IP. Surge Licensing will expand WEBTOON’s licensing and merchandising business, developing franchises through categories that include apparel, fashion collaborations, toys, tabletop games, promotions and more. Among WEBTOON’s existing merchandising work is a capsule collection for Lore Olympus, available at Hot Topic.

WEBTOON is the global leader in digital comics, where some of the world’s biggest comic creators and series have built massive global fandoms. The company has redefined comics for Gen Z and the digital era, with 82 million monthly active users globally and 15 million US users. With 1.3 million titles and 10.5 billion global monthly page views, WEBTOON is home to a new generation of comic creators and fans.

Among WEBTOON’s most exciting creators is Rachel Smythe, whose smash-hit Lore Olympus has more than 1.2 billion global views and 5.7 million subscribers on WEBTOON. The digital comic became a #1 New York Times bestselling graphic novel in autumn 2021, and is in development as an animated series from Wattpad WEBTOON Studios and the Jim Henson Company. The modern retelling of the relationship between the Greek goddess Persephone and god Hades won a Harvey Award and received nominations for an Eisner Award and a Ringo Award.

A growing number of digital comics from WEBTOON have achieved broad awareness through live-action and animated TV adaptations, including the 2022 zombie apocalypse series, All of Us are Dead, which achieved the #1 position on Netflix at launch in January 2022 and spent 11 weeks in the streamer’s global Top 10 (Non-Eng Series); the apocalyptic horror series Sweet Home, which recorded over 1.3 billion views on WEBTOON and was released on Netflix in December 2020; the global rom-com phenomenon True Beauty, which was adapted into a popular drama in 2021, and will be published as a graphic novel from WEBTOON Unscrolled in 2022; and popular anime adaptations such as Tower of God, Noblesse, and The God of High School.

“We’re bringing comics to a new generation of readers around the world,” says Eugene Kim, Head of Business Development at WEBTOON. “WEBTOON comics and creators already have huge global fandoms, so the time is right to begin offering fans new, fresh, and unique ways to  celebrate the comics they love. We’re excited to begin our partnership with Surge Licensing to create memorable experiences beyond our platform.”

“Given that WEBTOON is the #1 comic book entertainment app in the world with massive engagement and awareness, the possibilities for creating dynamic brand programs for their original IP are endless,” says Elan Freedman, Surge Licensing EVP. “In the U.S. alone, WEBTOON touts over 15 million monthly users, which is tremendous with room for major growth. We look forward to introducing the WEBTOON brand and its key titles to potential partners at the upcoming Licensing Expo.”

Genuine Entertainment’s Joe LeFavi stated: “WEBTOON has redefined how creators and fans alike can share and celebrate their favourite stories with a global audience. Boasting one of the biggest fandoms and a veritable treasure trove of IP, it’s an enormous opportunity to build meaningful programmes and give this inclusive community more ways to engage with the content and creators they know and love. And since Surge has been championing comic creators since first taking TMNT from comic racks to riches… suffice it to say, they were an ideal fit for the job.”

Marcolin and Timberland extend their licensing agreement until 2026

Eyewear company Marcolin and TBL Licensing have announced that they have extended their licensing agreement for the design, production and worldwide distribution of Timberland optical frames and sunglasses.

The partnership, originally signed in 2003, has now been early renewed for a further five years until December 2026, consolidating the strong relationship between the two companies.

Timberland is a world leader in the design and marketing of premium quality footwear, clothing and accessories for those who love outdoor life. From design to production, Timberland tackles environmental challenges to minimise impact on the planet, while also delivering on style and performance.

Marcolin embraces the values of the brand, creating eyewear collections that respect its heritage. The range includes responsible styles made by using bio-based materials for a reduced environmental impact. Most of the sunglasses and optical frames contain at least 35% to a maximum of 80% bio-based content and have earned the coveted Earthkeepers designation. Earthkeepers started as a collection in 2007, and has evolved into an overarching philosophy that serves as a pathfinder for the Timberland brand, from its commitment to protect and restore the outdoors, to improve social conditions globally, and find ways to make products more responsibly.

As a signal of their long-lasting partnership, Marcolin and Timberland are also teaming up with the web platform Treedom for the planting of trees and forests worldwide. Within this global initiative, Marcolin has committed to plant over 10,000 trees by 2023, in alignment with Timberland’s longstanding tree planting efforts, with 12,000+ planted to date, and counting.

Marcolin and Timberland extend their licensing agreement until 2026

Eyewear company Marcolin and TBL Licensing have announced that they have extended their licensing agreement for the design, production and worldwide distribution of Timberland optical frames and sunglasses.

The partnership, originally signed in 2003, has now been early renewed for a further five years until December 2026, consolidating the strong relationship between the two companies.

Timberland is a world leader in the design and marketing of premium quality footwear, clothing and accessories for those who love outdoor life. From design to production, Timberland tackles environmental challenges to minimise impact on the planet, while also delivering on style and performance.

Marcolin embraces the values of the brand, creating eyewear collections that respect its heritage. The range includes responsible styles made by using bio-based materials for a reduced environmental impact. Most of the sunglasses and optical frames contain at least 35% to a maximum of 80% bio-based content and have earned the coveted Earthkeepers designation. Earthkeepers started as a collection in 2007, and has evolved into an overarching philosophy that serves as a pathfinder for the Timberland brand, from its commitment to protect and restore the outdoors, to improve social conditions globally, and find ways to make products more responsibly.

As a signal of their long-lasting partnership, Marcolin and Timberland are also teaming up with the web platform Treedom for the planting of trees and forests worldwide. Within this global initiative, Marcolin has committed to plant over 10,000 trees by 2023, in alignment with Timberland’s longstanding tree planting efforts, with 12,000+ planted to date, and counting.

LICENSING EXPO: Q&A with Sarah Crimes, Director of Marketing, Story.1888

Story.1888 – the creative services wing of licensing agency The Point.1888 – was established in 2021 to offer licensing clients an unparalleled level of support, from product branding and style guides, to product marketing, strategy, content creation and campaign management.

Before the team heads to Vegas for this year’s Licensing Expo, Licensing Biz asked Director of Marketing Sarah Crimes to talk us through the company’s journey so far, the services it offers, and its plans for the coming months.

[divider style=”solid” top=”20″ bottom=”20″]

Do you want to briefly outline The Point.1888’s USP, its retail-first strategy?

Compared to the traditional licensing model, which follows the pattern of licensor and licensee agreeing on a deal and then finding a retailer to deliver product to consumers, The Point.1888’s methodology reverses that by working with retailers to identify gaps at retail and utilising the brands we represent to fill those gaps with products with purpose. This approach delivers sustainable revenue and increases brand awareness, consumer touch points and brand love, and provides long-term certainty for our clients whilst doing what’s best for retailers, manufacturers and consumers.

What was the thinking behind the launch of Story.1888? (It was an unusual step for a licensing agency to launch a creative agency.) What does the agency do differently?

For over three years now, really since our team expanded in a big way, we’ve been able to offer our licensing clients an exceptionally high level of support in areas such as marketing, advertising, creative and product launches in a way that other agents weren’t able to. We also immediately started getting requests from non-licensing clients, outside of the industry and within, to support them in areas we now had specialists in.

I proposed to Will [Stewart, CEO and founder] that we could set up a sister agency alongside The Point.1888 to house all this in a much clearer way, so internally and externally we could really shout about our expertise. So, Story.1888 was born and immediately we had clients ready to work alongside us on their brands and business strategy.

In terms of what we do differently here at Story.1888, it’s all about our team. But what we really focus on is bringing brand stories to life, and with retail being the heartbeat of everything we do within both agencies, we truly can influence and understand this incredibly important touchpoint and just how to talk to consumers.

Can you give us a flavour of the expertise you have on the team – are people from diverse marketing/advertising/social media/licensing/design backgrounds? Who are the key players?

We are an eclectic bunch, from retail buying, licensing, marketing and advertising backgrounds, experienced in everything from starting companies to working with some of the world’s biggest brands. This allows us to wear many hats, and truly understand how best to tell a brand’s story with retail and consumers at heart.

Story.1888 is led by me, as Director of Marketing, and Martin McLaughlin, who is our Director of Strategy. We both have very varied and differing careers spanning over 30 years collectively. From launching brands, and working on some big advertising campaigns for the likes of T-Mobile, Toyota and Levi’s, to writing and executing brand growth strategies for start-ups and leading new product launches via B2B and B2C, we hope our experience across manufacturing, retail, marketing, events and collaborations can really offer our Story.1888 clients a fresh new way of looking at their business and brand growth.

Can you tell us about the various services that Story.1888 offers clients? How do you bring a brand story to life? 

Our capabilities as an agency are really flexible, to ensure that we can offer a truly bespoke service to our clients. Our work to date has been varied (just like our experience), from creative – things like style guides, pitch documents, mock-ups, logos, branding, and websites – to full-scale campaign idea generation and execution. We have done a lot of strategy and consultancy pieces for brands with specific goals in mind, such as how to launch a new product into the market. I’d say launch strategies seem to be a real area of interest right now and something we are hugely competent in.

We also have businesses working with us on a monthly basis; we provide support with their brand strategy, social media content planning and posting/engagement as well as paid ad campaigns. PR has always been a real strength for us as a business, and we are pleased to have clients we support in their noise creation via PR.

We’ll be attending Licensing Expo in Vegas this year, so if you would like to discuss what we might be able to do for you, please do get in contact!

Looking to the future, is there anything in particular you’re excited about? Trends? New markets and opportunities? Gen Z coming of age? Experiential coming back, post Covid?

We are entering an incredibly challenging period in all our lives from a marketing and consumer reach point of view. There’s no doubt about it, we have all been hit hard by the last few years, and the way we spend our money, and our time, is changing. Yes, we all want experiential again, we want connection to people and places, and we know that will be hugely important for brands to engage with.

But what we are most excited by is really getting to know these changes to consumers’ behaviour and being ahead of the curve when it comes to how they engage with brands and what they choose to spend their hard-earned money on. We have become a more cynical nation in the last few years as well – who can blame us? – which is adding complexity to the way we can successfully market brands. It’s been a tough ride and we all deserve better, and that’s exactly what consumers are demanding! It’s exciting for us as cross-channel marketeers to really get to know just what we can do to support these changes.

What clients have you worked with so far, and what did the campaigns look like? Are there any planned product launches or new partnerships you’re allowed to talk about? 

We have some super-exciting creative work we are leading for some of our clients which will take shape in brand-new licensing programmes hitting the market from 2023 onwards.

We are supporting a leading American drinks brand in their journey over the pond. From marketing and awareness campaigns to retail distribution strategy and delivery – this is going to be a big one and you will find us all over the country this summer trialling the brand and building momentum ready for next year’s launch.

Our most exciting partnership this year (so far) involves a series of marketing and activations featuring a very large inflatable in the shape of a much-loved animal (who happens to be the nation’s favourite sweet!). Sadly we can’t say any more right now, but as soon as we can, we’ll be the first to tell you!

Story.1888 will be at Licensing Expo, Mandalay Bay Convention Center, Las Vegas, from 24-26 May 2022. 

 

 

Bootsy Collins signs with ALG Brands

ALG Brands has been tapped to represent the original Starchild, Bootsy Collins, for licensing and branding opportunities, it was announced today by ALG CEO Ashley Austin. The firm will manage Collins’ personality rights and will oversee the evolution of his intellectual property via brand collaborations, media projects, licensed products and more.

“I’m getting excited, the Funk has united with ALG,” says Collins. “Time to give up the ‘P’ – Funk that is, baba! Bootsy baby!!!”

“Bootsy is prolific in all aspects of the entertainment business,” says Austin. “His image is iconic, his sound is authentic, and his vibe is on a whole other level. It is an honour to be invited into his orbit, and we are so excited to work with him and his amazing team to bring the power of The One to new media, branding, and licensing initiatives.”

Born in Cincinnati, OH, Bootsy Collins is an all-time great funk and R&B bassist, singer, bandleader and music producer. From 1969 to 1971, Collins performed with James Brown’s backup band, dubbed the J.B.’s, his bass driving records like “Get Up (I Feel Like Being a) Sex Machine.” In 1972, Bootsy joined George Clinton’s Parliament/Funkadelic; Collins and Clinton soon established a lifelong personal and musical friendship. He launched Bootsy’s Rubber Band as a spinoff of Parliament-Funkadelic in 1976 and was inducted into the Rock and Roll Hall of Fame in 1997 as part of the P-Funk collective.

Beyond the music, Collins is one of the most colourful personalities in entertainment. Bootsy’s custom-built, star-shaped Space Bass, top hat, wild glasses, ever-present smile, and instantly recognisable voice have ensured his long status as a cultural icon. Beloved by original funkateers, next generation hip-hoppers, electronic pioneers, metalheads and more, the forever young Bootsy Collins is the definition of a living legend.

Licensing Expo and Products of Change reveal sustainability agenda

Licensing Expo and Products of Change (POC) have revealed a jointly-produced sustainability agenda comprising turnkey education and product showcases for the upcoming trade show slated for May 24-26 at the Mandalay Bay Convention Center.

The strategic partnership is designed to bring sustainability to the forefront and spotlight issues embedded within the licensing industry to bring real change to brands’ socially responsible and inclusive practices across cross-categories.

“No matter the industry, environmental protection is an increasingly important value to customers and shareholders; it is woven into mission statements and serves as a guiding principle for all major business decisions,” says Anna Knight, SVP of the Global Licensing Group. “Progress beings with industry-wide education – we are so proud to partner with Products of Change to spotlight the many brands at Licensing Expo that are taking impressive steps toward eliminating waste and inequality across their value chain and are now taking the next step in showcasing their work to inspire others.”

Sustainability-focused educational programming is free for all registered event participants and held in the Licensing U Theater, with topics encompassing newcomer education, sustainable manufacturing, and applying socially responsible practices in licensing. Senior-level experts from Products of Change, The Smiley Company, Lego, Formula E, Natural History Museum, Piping Hot, Greenre, Beanstalk, and The Smurfs are confirmed to lead sustainability sessions.

Linda Morgenstern, Vice President of Brand Management at Beanstalk and prominent speaker addressing Sustainability 101, says: “In keeping with Beanstalk’s best-practices model, we have established a global, cross-functional Sustainability Team. The key goals of Beanstalk’s sustainability initiatives are to align our clients’ sustainability initiatives with licensees’ efforts and capabilities and to share information across clients, licensees, and industries. From the start, we have wholeheartedly supported the leadership of Products of Change as the sustainability authority for the licensing industry.”

The sustainability-focused sessions delivered by Licensing Expo and Products of Change are as follows:

  • Sustainability 101 | Tuesday, May 24 from 12:00-12:45 p.m.
    Speakers: Helena Mansell-Stopher, POC; Andrea Green, Globally Green; Simon Gresswell, SGLP; Jakob Hamann, Lego; Charlotte Hughes, Formula E; and Maxine Lister from the NHMA deep dive into the science behind why sustainable transformation is vital for business future prosperity. Products of Change, Lego, Natural History Museum, SGLP, and Formula E take you through why sustainability is key to business success.
  • Brands with Purpose: Sustainable Manufacturing | Wednesday, May 25 from 10:15-11:00 a.m.
    Speakers: Amy Low, Piping Hot; Stan Wan, Piping Hot; Keith Loiselle, Greenre; Brenda Seto, POC;  and Helena Mansell-Stopher, POCPiping Hot, the purpose-driven fashion brand, and Greenre, a global producer of sustainable stationery, join POC’s founder Helena Mansell-Stopher and Brenda Seto, POC’s Ambassador for Canada and consultant to Greenre, to discuss their sustainable journey so far.
  • Sustainability in Licensing | Thursday, May 26 from 10:30-11:30 a.m.
    Speakers: Lee Grace, The Smiley Company; Ben Parker, Beanstalk; Sebastien Dumont, IMPS The Smurfs; and Helena Mansell-Stopher, POCJoin Smiley, Beanstalk, and The Smurfs to discuss how licensors and agents embrace sustainable change within the business and benefit from this.

NEW Sustainability Business Lounge

In addition to a highly curated educational program, Products of Change selected brands to showcase their products and business approach to introducing and sustaining a socially responsible business that balances the needs and health of the planet with that of their customers.

Brands across categories were chosen based on their proven ability to roll out sustainability and equality initiatives at scale. The brand-led presentations are held in the Sustainability Business Lounge located on the show floor (booth #N216) and feature must-attend showcases from cross-category brands, each focusing on a different area of expertise.

  • FOCO – A leading manufacturer specialising in sports licensing and working with some of the biggest names in sport. The team will be showcasing its new, recycled licensed backpacks and lunch bags.
  • Formula E – Will showcase its newly launched Formula E KIMOA sunglasses made with a sustainable recycled PET frame. Formula E’s vision is to accelerate sustainable human progress through the power of electric racing. The sunglasses are designed for people that love the electric motorsport series and what it stands for.
  • Manchester City FC and PUMA – The Premier League football club will be showcasing an innovative new partnership with PUMA’s Re:Jersey platform, a system that recycles old kits and jerseys to produce current season players’ shirts.
  • The Natural History Museum – Will be showcasing their fashion range from Desmond and Dempsey as well as their sustainable stationery range from Blueprint Collections.
  • Greenre – Will be showcasing its sustainable, licensed stationery. The team’s environmentally conscious products consist of recycled, natural materials, recyclables, non-toxic, post-agricultural bio fibers, and new-age bioplastics.
  • Piping Hot – All Piping Hot products are made with recycled, recyclable, renewable, or biodegradable materials. They have eliminated virgin polyester from their supply chain and prioritize recycled materials to reduce waste and tackle plastic pollution. Their approach is science-based and design-led; they will be showcasing their latest collection.
  • Brands In – Will be showcasing for the first time their new sustainable fashion clothing line, Supacult.

Enjoy dedicated sessions and free consults with experts – visit the Sustainability Business Lounge to book a clinic. View the full programming schedule here.

Furthermore, learn how to lead with intention to build purpose-driven licensing programmes focused on social good from Nobel Peace Prize Nominee Ms. Opal Lee and impact changemakers Anita Castellar and Genna Rosenberg in a must-attend educational session held in the Licensing U Theater. Join the three women on Tuesday, May 24 from 4:45 to 5:30 p.m. for their session titled “The Upside of Licensing: Leading with Intention for Social Impact” and walk away inspired to begin, or continue, weaving purpose and social good into your licensing programmes.

Castrol taps LMCA for global strategic licensing programme

Castrol, one of the world’s leading lubricant brands, has appointed LMCA as its global licensing agency. 

Castrol’s new licensing programme will be committed to supporting Castrol’s global brand strategy. The programme’s emphasis is to grow Castrol’s position as a leader in auto care, reinforcing the brand’s reputation in cutting-edge technologies, and building a range of products and services that support Castrol’s focus on innovations in future mobility and renewable energy solutions.

This new programme will see LMCA expand Castrol’s brand presence and consumer reach through licensed products and services in performance care, auto accessories, and e-mobility, creating new brand experiences for customers and fans. These extensions will complement the Castrol core business, helping further the brand’s reach and create relevant new touchpoints with consumers.

As the company’s global agency, LMCA is dedicated to growing Castrol licensed offerings at retail, independent workshops and B2B avenues, led from LMCA’s head office in North America together with its regional offices around the world.

“We believe there is enormous untapped potential for the Castrol brand globally and are excited to be chosen to work with Castrol on the next phase of their strategic brand development initiatives,” says Ciarán Coyle, President and CEO of LMCA. “Castrol has a rich heritage in innovation and performance, global brand popularity, and a best-in-class reputation for delivering pioneering products and services. We look forward to extending the brand into a range of high-quality products and experiences that tap into the brand’s core equities.”

Sumeet Wadhwa, Electric Vehicle & Growth Unit Marketing Director at Castrol, says: “This strategic initiative is a testament to Castrol’s commitment to furthering our global brand strategy, deepening relationships with our consumers and fans, and building our brand value through relevant extensions. We look forward to developing a robust brand licensing programme with LMCA that optimises the brand potential and offers new and innovative product and service solutions for our Castrol customers.”

To find out more about the Castrol licensing programme, contact LMCA or visit www.lmca.net

 

FuturumKids adds Charlie’s Ark to its roster of preschool series

With global broadcast sales and licensing activity for its hit preschool property Paddles ramping up and production well under way on its newest preschool property Ling Ling, animation and media company FuturumKids has announced development plans for a major new property, based on the delightful children’s book Charlie’s Ark.

 

Charlies Ark tells the story of Charlie, a five-year-old boy, and the ark-shaped toy box in which he keeps his toy animals with their ark-inspired rainbow top-knots, manes and tails. But these are not just toys; they all come to life when Charlie whispers the magic ‘wordspell’, and together Charlie and the toys have many magical adventures.

The books, created and written by award-winning illustrator Mike Payne and illustrated by Adam Pescott and Mike Payne, have clear televisual appeal, and the response to the concept was extremely positive at MIPTV in April. Mike is the creator and original artist of the globally popular grey, blue-nosed bear ‘Tatty Teddy’, which he drew for 17 years.

The 52 x 11 animated series, which has already started production in Ireland and Las Palmas, aims to replicate the engaging style of the books, whose charm, evocative storylines and emotionally engaging illustrations have strong cross-generational appeal.

Longer-term plans will include licensing and merchandising, building on Mike Payne’s enormous success in commercial greeting card design, books, and gift concepts that have sold hundreds of millions worldwide.

Charlie’s Ark is a major addition to the fast-growing FuturumKids portfolio, which already includes Paddles and Ling Ling. Roy Smoothe, international strategic branding specialist, recently joined the Charlie’s Ark team in the role of Global Branding Licensing and Merchandising Director. Arthur Maxfield, former CEO of World of Books, is also involved as a Board Member of the Charlie’s Ark team.

FuturumKids includes members of the team behind the seven-time Emmy-award-winning children’s series Jakers! as well as senior figures from HIT Entertainment and its global franchises Bob the Builder, Barney and Thomas and Friends.

Eamon Mac Giolla Bhuí, CCO at FuturumKids, says: “With two children’s shows already broadcasting or in production we were keen to build on our success to date. However, we needed to find the right property to support our growing reputation as a producer of quality children’s entertainment. Charlie’s Ark is just that property. Both visually and as a magical piece of storytelling it’s ideal for children’s TV. We’re looking forward enormously to developing Charlie’s delightful adventures for the screen.”

FOMO Lab and Banijay partner to launch Mr Bean NFT collection

Banijay has announced its first activation in the Metaverse with a Mr Bean NFT drop, in collaboration with intellectual property specialist and Metaverse architect FOMO Lab.

Fans will be able to own Mr Bean digital assets and collectibles, inspired by the hit animated series. The genesis Mr Bean NFT collection will be an assortment of 3,333 unique digital collectibles, available to purchase from 25 May using cryptocurrency Ether on FOMO Lab’s NFT marketplace, TheAvenue.market.

By purchasing the Mr Bean digital collectibles, holders will also have access to phygital rewards, competitions and redeemables, including a signed, unpublished hand-drawn still of Mr Bean from the first animated series. Further Mr Bean NFT drops with FOMO Lab are planned throughout 2022.

“Banijay has many exciting Metaverse projects to announce this year, as we continue to adopt new technologies to futureproof our brands,” says Owain Walbyoff, Chief Commercial Officer, Banijay. With his huge global following, Mr Bean is rightly taking his first steps into this space, and the combination of digital and physical rewards gives the NFT long-term value for the lucky few who manage to purchase them.”

Khalil Kassam, Co-Founder & Chief Business Officer, FOMO Lab, adds: “”FOMO Lab is the bridge between brands entering the Metaverse and NFT space and the Web3 community, changing the digital landscape forever, and we are delighted to partner with innovator Banijay to launch the official Mr Bean NFT collection.

“We are continuously evolving our product offering, working closely with tier-one brands, as well as the next generation of creators, relentlessly providing value to our community. It’s our mission to bring NFTs to a wide audience, with exclusive access to the latest and most sought-after products on the market.”

One of Britain’s most famous comic creations of all time, Mr Bean, first appeared on screens in 1990, with the versatile performer Rowan Atkinson playing the hapless hero. The show has now been in continual distribution for over 30 years, spawning a globally successful animated series voiced by Atkinson, which launched in 2002.

The brand attracts significant digital audiences, with over 129 million followers on Facebook, making it the biggest TV brand on the platform; nearly 50 million subscribers and 15 billion lifetime views across official YouTube channels; 8.7 million followers on Instagram; and 8.3 million likes on TikTok.

FOMO Lab’s recent partnerships include collaborations with road racing cyclist Mark Cavendish, MEFCC (Middle East and Film Comic Con), entrepreneur Roland Berger, and the heavyweight champion Tyson Fury. The legacy NFT collection with Tyson Fury saw FOMO Lab achieving the highest bid in NFT boxing history, selling the 1-of-1 NFT for $987,000

FOMO Lab is creating an entire product suite which includes a multi-chain NFT marketplace, a staking ecosystem, FOMO Lab Launchpad – a Metaverse platform with a ground-breaking mobile social application for NFT collectors – and many more products. The Avenue provides its holders with full control over their digital assets with over 3,000 users signed up, alongside an average visitor count exceeding 30,000 monthly.

Mr Bean: The Animated Series is produced by Tiger Aspect Kids and Family, part of Banijay Kids and Family.

Iconix completes global acquisition of athletic brand PONY

Brand management company Iconix International Inc has now completed the acquisition of the global rights across all product categories to the PONY brand (excluding China and Taiwan), from Hong Kong based company Symphony Holdings Ltd.

Iconix will leverage its expertise in operating athletic and lifestyle brands to maximise the value of PONY by uniting the global PONY brand rights under one roof. The global brand will be run from Iconix’s New York City office, bringing a united PONY brand back to its roots.

In Asia Pacific, the PONY brand will be managed as a joint venture with Symphony, bringing together the two brand owners to leverage the partners’ respective regional expertise. The timing of the acquisition coincides with a big moment for the heritage athletic brand, as 2022 marks PONY’s 50th anniversary.

Founded in Manhattan in 1972, the PONY brand has a rich history of influencing New York’s culture of cool. PONY stands for “Product of New York,” and has been worn by legendary athletes across multiple sports including basketball, football, baseball, boxing, soccer and tennis.

Bob Galvin, CEO of Iconix, says: “We are proud to announce our global ownership of PONY, which will allow Iconix to control and invest in the brand’s considerable equity, including improved product development and a greater focus on digital and data-based marketing.

“Sports remains a key focal point of our portfolio and PONY, with its strong brand recognition and rich heritage in both sport and fashion, has significant potential for global growth. We look forward to evolving the brand to introduce it to a new generation, while also connecting with consumers that already value its heritage.

“In addition, PONY will be celebrating its 50th anniversary later this year with a very exciting relaunch of the brand with our partners around the world.”

For more information on PONY, visit PONY.com