Epic Story “in discussions” for global toy and broadcast partners for Piper’s Pony Tales as Breyer leads US roll-out

Breyer Horses has been named the master toy partner for North America and LATAM for a new short form kids’ series called Piper’s Pony Tales, an equestrian-themed series developed by Epic Story Media and the production company Milkcow Media.

The content creation company has confirmed that further discussions are currently taken place with other global partners for toy and broadcast placement.

Targeting pre-schoolers, Piper’s Pony Tales takes a look at the life of ponies through the lens of children’s imagination using articulated puppets. The series will launch this month on a dedicated YouTube channel with Epic Story Media handling all licensing, merchandising, and global content distribution.

Breyer has been named the North American and LATAM master toy partner, drawing on its recognition as a premium maker of authentic, collectable model horses in the US since 1950.

Piper’s Pony Tales follows the adventures of Piper who daydreams about having her own pony. Making do with her toy horse, Spark and her stable play-set, Piper turns her playroom into a setting for Pony Tales as she uses her toy ponies to act out adventures alongside her friends Casey and Paloma.

The series taps into themes of fantasy, freedom, and adventure, as well as the universal magic that every child possesses through their imagination. The series makes use of the dolls as puppets and uses visual effects to animate their faces and bring their stories to life.

The show also features DIY, craft-like sets, empowering kids to create their own stories at home. The series has received financial suport from the Shaw Rocket Fund and the Canada Media Fund through the CMF-SRF Kids Digital Animated Series Programme.

Ken Faier, president and founder of Epic Story Media, said: “We are so proud of Piper’s Pony Tales – from its premise of unlocking kids’ imagination so that they can create magic in their own homes, to the diverse leading cast and the unique style we’re pioneering to bring them to life.

“We are excited to have a strong partner in Breyer, whose expertise has helped us to make sure we remain true to the equestrian way and provided valuable consultation in the development of Piper’s core brand values. We know that this show will connect with all kids who love horses and will inspire a future generation of horse fans as they are encouraged to translate their viewing experience to one of imaginative play with family and friends.”

Tony Fleischmann, president of Breyer, added: “As part of the leading equestrian lifestyle brand of toys, gifts, collectibles and experiences, it is exciting to be part of introducing preschoolers to the enchanting world of horses. Piper’s Pony Tales will create long lasting memories of horse play and a love of horses.”

Sky Kids UK lands new seasons and educational games based on The Cat in the Hat Know a Lot About That

Portfolio Entertainment has secured a raft of new broadcast deals for Dr Seuss’ The Cat in the Hat Knows A Lot About That including one with Sky Kids in the UK for seasons two and three of the 2D animated series.

Sky Kids is also taking on four new educational games based on the popular series, called Build-ma-loo, Invention Engine, Camp Time, and Arcade Escape, while French speaking Canada will be treated to the series’ seasons one and two via Unis TV.

Portfolio has also inked deals for the one hour seasonal special, The Cat in the Hat Knows a lot about Christmas with KiKa in Germany and NRK in Norway.

“The enduring legacy of Dr. Seuss’ beloved character lives on as a new generation of kids around the world will be going on adventures with the Cat in the big striped hat and his friends,” said Donnie MacIntyre, VP of sales and business development at Portfolio Entertainment. “Portfolio’s catalogue of best-in-class children’s content continues to attract leading global kids broadcasters and we’re delighted that our partners will be bringing this classic series and holiday special to their audiences.”

Fuelled by curiosity and imagination, the Cat leads best friends Nick and Sally on extraordinary adventures into the natural world. With the help of Thing One and Thing Two and their whimsically versatile Thinga-ma-jigger they’ll go anywhere from the bottom of the ocean to the centre of a beehive. The Cat in the Hat ‘knows a lot’ but he doesn’t know everything, making him the perfect guide to learning and fun.

Inspired by the animated original series, The Cat In The Hat Knows A Lot About That Christmas! is a one-hour holiday movie, originally broadcast on PBS Kids, bringing our favourite characters together to discover the magic of Christmas.

Produced by Portfolio Entertainment and Collingwood O’Hare Productions, in association with Dr. Seuss Enterprises, Random House Children’s Entertainment, Treehouse, and PBS Kids, The Cat In The Hat Knows A Lot About That! is based on Random House’s best-selling Beginner Book collection, “The Cat in the Hat’s Learning Library.”

The award-winning series has been sold to broadcasters and digital platforms in over 170 markets worldwide.

Sky Kids UK lands new seasons and educational games based on The Cat in the Hat Know a Lot About That

Portfolio Entertainment has secured a raft of new broadcast deals for Dr Seuss’ The Cat in the Hat Knows A Lot About That including one with Sky Kids in the UK for seasons two and three of the 2D animated series.

Sky Kids is also taking on four new educational games based on the popular series, called Build-ma-loo, Invention Engine, Camp Time, and Arcade Escape, while French speaking Canada will be treated to the series’ seasons one and two via Unis TV.

Portfolio has also inked deals for the one hour seasonal special, The Cat in the Hat Knows a lot about Christmas with KiKa in Germany and NRK in Norway.

“The enduring legacy of Dr. Seuss’ beloved character lives on as a new generation of kids around the world will be going on adventures with the Cat in the big striped hat and his friends,” said Donnie MacIntyre, VP of sales and business development at Portfolio Entertainment. “Portfolio’s catalogue of best-in-class children’s content continues to attract leading global kids broadcasters and we’re delighted that our partners will be bringing this classic series and holiday special to their audiences.”

Fuelled by curiosity and imagination, the Cat leads best friends Nick and Sally on extraordinary adventures into the natural world. With the help of Thing One and Thing Two and their whimsically versatile Thinga-ma-jigger they’ll go anywhere from the bottom of the ocean to the centre of a beehive. The Cat in the Hat ‘knows a lot’ but he doesn’t know everything, making him the perfect guide to learning and fun.

Inspired by the animated original series, The Cat In The Hat Knows A Lot About That Christmas! is a one-hour holiday movie, originally broadcast on PBS Kids, bringing our favourite characters together to discover the magic of Christmas.

Produced by Portfolio Entertainment and Collingwood O’Hare Productions, in association with Dr. Seuss Enterprises, Random House Children’s Entertainment, Treehouse, and PBS Kids, The Cat In The Hat Knows A Lot About That! is based on Random House’s best-selling Beginner Book collection, “The Cat in the Hat’s Learning Library.”

The award-winning series has been sold to broadcasters and digital platforms in over 170 markets worldwide.

Making sound waves | “Tonies has got to the heart of what a generation of parents has been looking for”

For a company with high expectations, Tonies continues to surprise itself. The German-born audio toy platform has never been quiet about its plans for the UK and international market, not since its emergence on the scene only a few years ago. But it never expected success on the scale it has seen this past year.

If the pandemic has thrust into the limelight the technology used to keep us all connected throughout this year of unrest, then Tonies is one among the antidotes. A screen-free device that uses tangible (lovingly hand-painted) characters as a means of escapism for children – and parents – overwhelmed by a dependence on screen-time these past 12 months, Tonies placing above all else, the power of story-telling.

It’s the company’s own admission that the “multifold growth it has achieved in the UK market this past year” has been far beyond its expectations, yet it is a position it has been quick to capitalise on, bolstering its ranks with a senior team comprising ex Universal and Skip Hop experts in the children’s market in a move to ready itself for further international growth this coming year.

Among them is Lucia Kreuzer, the former global commercial director of Hello Fresh who now heads up Tonies UK and IE, having been appointed by the board to accelerate the growth of Tonies and steer its business into its next phase.

This week, associate title, ToyNews caught up with Kreuzer to learn more about those plans and delve deeper into the innovation of the Tonies brand, and its secret formula that has placed it “at the heart of what a generation of parents are looking for right now.”

Hello Lucia, thanks for chatting with us. Can we kick off by talking about business at Tonies over the past year. The pandemic saw families re-establish relationships with toys and play, what role did Tonies have to play and what success did you see through this? 

The pandemic has undoubtedly had a huge impact on the family dynamic in so many households. With the huge move to home working, there has been a real challenge in keeping children happy, occupied and entertained for hours on end – and it can be so easy for children to spend entire days in front of a screen while parents are trying to get their work done.

I think parents are now much more concerned with the effects of too much screen time, and this is where Tonies comes into its own as a screen-free antidote to iPads, computer games, and TV, while sparking children’s imagination and independent play. What we really believe is key to the appeal of Tonies is its versatility – children can enjoy creative play to unwind from schoolwork, listen to the fun educational content, and stay connected to the family members they’ve sadly been separated from due to the pandemic.

Children also love the beautiful Tonies, our hand-painted figurines, as they are so unique and have that collectability element – even our  youngest customers love to play with them as they listen to their stories or songs, which is wonderful.

We had big plans for Tonies in the UK last year but the multifold growth we have seen has been far beyond our expectations. We have been so overwhelmed by the positive customer feedback, press and awards we received last year.

“We will continue to innovate every aspect of the kids’ audio experience to ensure we stay at the forefront of this category that we love.”

The team’s been bolstered with some key new hires. Can you talk us through what your roles will now be with Tonies, your areas of focus, and how this will prime the business for growth in the coming months and years? 

Just as our business is experiencing huge growth, our team at Tonies is growing rapidly too. We have been so lucky to attract very talented people to build up further areas of the team.

Liz Peters (ex Universal) has joined our Product team as Portfolio Manager, Gemma Stokes (ex Skip Hop) has joined our team as Senior Marketing Manager and comes with a wealth of experience in the baby and toy industries, and Paul Chattaway (ex Ring) will be driving our retail growth as Head of Sales. They all come with real expertise in their fields that I know will help to spark the creativity, purpose, and success of the Tonies brand going forward.

What will be the strategy for international growth? Why is now the right time for Tonies to be  planning for global expansion like this? 

Our continued growth and influence in our German home market provides the basis for our solid  international expansion. We are currently active in five countries, enabling over two million kids to let their imagination run free. Tonies launched last September to the US market, offering children there a completely new way of listening to stories and music. We will launch in France later this year.

While we are expanding internationally, there is still immense potential for us to grow in existing markets through adding to our portfolio, expanding our retail footprint, adding new product categories and functionalities and more – the possibilities are endless!

There has never been a better time for us to be thinking about growth, Tonies has got right to the heart of what a whole generation of parents has been looking for. More than ever, they are searching for alternative ways to entertain, educate and inspire their children and enable their  minds to grow. Most of all, they want what is best for their child.

You guys pioneered what has become an exciting audio-toy space. How is Tonies taking that  reputation for innovation forward for the coming year? How will you be leading the space through new developments? 

Innovation is part of our brand’s DNA. We were first to market and created a new category from scratch. We will continue to innovate every aspect of the kids’ audio experience to ensure we stay at the forefront of this category that we love.

We have an amazing line-up of strong content launches and accessories, partnerships with exciting brands and organisations, and will further broaden our retail coverage with existing and new retailers. Our aim is to be synonymous with fantastic audio storytelling for children.

“We want our little listeners to become familiar with different cultures and ways of life through our audio content. At Tonies, we’re committed to building a diverse and inclusive portfolio that reflects society.”

Key to the Tonies success is the library of children’s stories you guys have and your licensing  partnerships. What plans have you got for building out the portfolio over this year? What licensed lines can we expect from you guys?

Our product and audio system is unrivalled in the market. Last year we added further strong licenses, from much-loved classics like Toy Story and Frozen to Elmer and Spot the Dog to our ever increasing portfolio – offering a curated and appealing range of stories, music and educational content for children.

This year we have already launched our Peter Rabbit and In the Night Garden Tonies, as well as adding to our range of Disney Tonies with Aladdin. We have lots of exciting blockbusters from the page and screen coming to life as Tonies later this year, and we are so excited to expand our partnerships with Hachette Children’s Group, Viacom Consumer Products, Mattel Inc, and NBC Universal and many more wonderful partners.

What is the Tonies approach to representation and diversity within the story portfolio? How will you guys promote this message as you continue to grow internationally and tap into new  audiences?

The world of storytelling is certainly far more diverse than it used to be and we want children using their Toniebox to be able to identify with the Tonies they put on their box. Additionally, we want our little listeners to become familiar with different cultures and ways of life through our audio content. At Tonies, we’re committed to building a diverse and inclusive portfolio that reflects society.

What do you look for in the IP that you bring to the Tonies platform? 

We put a great deal of thought and work into the content that we bring to Tonies as we want to ensure that there is a huge amount of variety in our portfolio. We really foster strong bonds between children and parents through the magic of storytelling – whether parents are introducing their children to their own nostalgic stories, listening together to the latest blockbuster story that their child loves, as well as our wonderful music and educational content. And, of course, we are always looking to consumer trends and insights to predict the next bestseller.

You guys have obviously got new agencies on board for the marketing and PR strategies, how is this reflective of the wider plans for this year and beyond? 

We are incredibly excited to partner with VCCP as our new creative agency and Diffusion as our new  PR agency. Both agencies really impressed us with work that they have done in the past and their passion for Tonies. We have some exciting campaigns coming up – so watch this space!

You’ve aligned yourselves with a number of children’s causes, among them children’s mental wellness. Can we explore the Tonies relationship with this topic? Why is it important for  you, and what does storytelling and story time do to help the issue? 

Children’s mental wellness is a topic that is so close to our heart. As a brand we want to continue to build on our great work, as it is so incredibly important. We recently ran a campaign in February to support Children’s Mental Health charity, The Place2B and raised funds for them by asking our audience to share our post and we donated per share.

The pandemic has seen so many children suffer with their mental health amid so much upheaval and  increased social isolation. We have found that the Tonies audio can help children to feel like they have some company and can be a real source of solace in such a confusing time.

While so much has changed over the past year, children’s bedtime stories, for example, can act as a real anchor in their daily routine and bring some much-needed familiarity. The outside of the Toniebox itself too is so soft that children can often be seen cuddling it while they listen to stories or music – it can be incredibly soothing to them.

During the first lockdown, one mother from our community told us how her husband was on the Front Line NHS Covid ward and therefore was unable to see both his wife and young child for 19 weeks. Every night he would leave a new message for his young son on his Creative-Tonie (that you  can record yourself), who hugged it nightly whilst listening and the Toniebox became almost  synonymous with his father’s voice. A truly touching story.

What’s the next step for you guys? What can we expect to see from Tonies in the coming  weeks/months? 

We have big ideas and plans for this year – from amazing content and an accessories line-up to new  partnerships and co-operations. It will be an exciting year for Tonies and our partners.

Thank you Lucia, and just before you go, is there anything else you want to be shouting about right now?

Our wonderful founders, Patric Faßbender and Marcus Stahl, started Tonies with the belief that childhood should be a magical time, full of big adventures and loving memories. They wanted to create a way for kids to experience storytelling in a digital age, stimulating their imagination and  creativity in ways that a screen simply cannot.

Patric and Marcus originally dreamed of every child having a Toniebox in their bedroom and it’s so wonderful to see that dream is now becoming a reality: so far, we have sold over 20 million Tonies globally.

Tonies offers an immersive, wondrous experience you can feel good about, but more importantly a community you can be part of now and  for many years to come.

Making sound waves | “Tonies has got to the heart of what a generation of parents has been looking for”

For a company with high expectations, Tonies continues to surprise itself. The German-born audio toy platform has never been quiet about its plans for the UK and international market, not since its emergence on the scene only a few years ago. But it never expected success on the scale it has seen this past year.

If the pandemic has thrust into the limelight the technology used to keep us all connected throughout this year of unrest, then Tonies is one among the antidotes. A screen-free device that uses tangible (lovingly hand-painted) characters as a means of escapism for children – and parents – overwhelmed by a dependence on screen-time these past 12 months, Tonies placing above all else, the power of story-telling.

It’s the company’s own admission that the “multifold growth it has achieved in the UK market this past year” has been far beyond its expectations, yet it is a position it has been quick to capitalise on, bolstering its ranks with a senior team comprising ex Universal and Skip Hop experts in the children’s market in a move to ready itself for further international growth this coming year.

Among them is Lucia Kreuzer, the former global commercial director of Hello Fresh who now heads up Tonies UK and IE, having been appointed by the board to accelerate the growth of Tonies and steer its business into its next phase.

This week, associate title, ToyNews caught up with Kreuzer to learn more about those plans and delve deeper into the innovation of the Tonies brand, and its secret formula that has placed it “at the heart of what a generation of parents are looking for right now.”

Hello Lucia, thanks for chatting with us. Can we kick off by talking about business at Tonies over the past year. The pandemic saw families re-establish relationships with toys and play, what role did Tonies have to play and what success did you see through this? 

The pandemic has undoubtedly had a huge impact on the family dynamic in so many households. With the huge move to home working, there has been a real challenge in keeping children happy, occupied and entertained for hours on end – and it can be so easy for children to spend entire days in front of a screen while parents are trying to get their work done.

I think parents are now much more concerned with the effects of too much screen time, and this is where Tonies comes into its own as a screen-free antidote to iPads, computer games, and TV, while sparking children’s imagination and independent play. What we really believe is key to the appeal of Tonies is its versatility – children can enjoy creative play to unwind from schoolwork, listen to the fun educational content, and stay connected to the family members they’ve sadly been separated from due to the pandemic.

Children also love the beautiful Tonies, our hand-painted figurines, as they are so unique and have that collectability element – even our  youngest customers love to play with them as they listen to their stories or songs, which is wonderful.

We had big plans for Tonies in the UK last year but the multifold growth we have seen has been far beyond our expectations. We have been so overwhelmed by the positive customer feedback, press and awards we received last year.

“We will continue to innovate every aspect of the kids’ audio experience to ensure we stay at the forefront of this category that we love.”

The team’s been bolstered with some key new hires. Can you talk us through what your roles will now be with Tonies, your areas of focus, and how this will prime the business for growth in the coming months and years? 

Just as our business is experiencing huge growth, our team at Tonies is growing rapidly too. We have been so lucky to attract very talented people to build up further areas of the team.

Liz Peters (ex Universal) has joined our Product team as Portfolio Manager, Gemma Stokes (ex Skip Hop) has joined our team as Senior Marketing Manager and comes with a wealth of experience in the baby and toy industries, and Paul Chattaway (ex Ring) will be driving our retail growth as Head of Sales. They all come with real expertise in their fields that I know will help to spark the creativity, purpose, and success of the Tonies brand going forward.

What will be the strategy for international growth? Why is now the right time for Tonies to be  planning for global expansion like this? 

Our continued growth and influence in our German home market provides the basis for our solid  international expansion. We are currently active in five countries, enabling over two million kids to let their imagination run free. Tonies launched last September to the US market, offering children there a completely new way of listening to stories and music. We will launch in France later this year.

While we are expanding internationally, there is still immense potential for us to grow in existing markets through adding to our portfolio, expanding our retail footprint, adding new product categories and functionalities and more – the possibilities are endless!

There has never been a better time for us to be thinking about growth, Tonies has got right to the heart of what a whole generation of parents has been looking for. More than ever, they are searching for alternative ways to entertain, educate and inspire their children and enable their  minds to grow. Most of all, they want what is best for their child.

You guys pioneered what has become an exciting audio-toy space. How is Tonies taking that  reputation for innovation forward for the coming year? How will you be leading the space through new developments? 

Innovation is part of our brand’s DNA. We were first to market and created a new category from scratch. We will continue to innovate every aspect of the kids’ audio experience to ensure we stay at the forefront of this category that we love.

We have an amazing line-up of strong content launches and accessories, partnerships with exciting brands and organisations, and will further broaden our retail coverage with existing and new retailers. Our aim is to be synonymous with fantastic audio storytelling for children.

“We want our little listeners to become familiar with different cultures and ways of life through our audio content. At Tonies, we’re committed to building a diverse and inclusive portfolio that reflects society.”

Key to the Tonies success is the library of children’s stories you guys have and your licensing  partnerships. What plans have you got for building out the portfolio over this year? What licensed lines can we expect from you guys?

Our product and audio system is unrivalled in the market. Last year we added further strong licenses, from much-loved classics like Toy Story and Frozen to Elmer and Spot the Dog to our ever increasing portfolio – offering a curated and appealing range of stories, music and educational content for children.

This year we have already launched our Peter Rabbit and In the Night Garden Tonies, as well as adding to our range of Disney Tonies with Aladdin. We have lots of exciting blockbusters from the page and screen coming to life as Tonies later this year, and we are so excited to expand our partnerships with Hachette Children’s Group, Viacom Consumer Products, Mattel Inc, and NBC Universal and many more wonderful partners.

What is the Tonies approach to representation and diversity within the story portfolio? How will you guys promote this message as you continue to grow internationally and tap into new  audiences?

The world of storytelling is certainly far more diverse than it used to be and we want children using their Toniebox to be able to identify with the Tonies they put on their box. Additionally, we want our little listeners to become familiar with different cultures and ways of life through our audio content. At Tonies, we’re committed to building a diverse and inclusive portfolio that reflects society.

What do you look for in the IP that you bring to the Tonies platform? 

We put a great deal of thought and work into the content that we bring to Tonies as we want to ensure that there is a huge amount of variety in our portfolio. We really foster strong bonds between children and parents through the magic of storytelling – whether parents are introducing their children to their own nostalgic stories, listening together to the latest blockbuster story that their child loves, as well as our wonderful music and educational content. And, of course, we are always looking to consumer trends and insights to predict the next bestseller.

You guys have obviously got new agencies on board for the marketing and PR strategies, how is this reflective of the wider plans for this year and beyond? 

We are incredibly excited to partner with VCCP as our new creative agency and Diffusion as our new  PR agency. Both agencies really impressed us with work that they have done in the past and their passion for Tonies. We have some exciting campaigns coming up – so watch this space!

You’ve aligned yourselves with a number of children’s causes, among them children’s mental wellness. Can we explore the Tonies relationship with this topic? Why is it important for  you, and what does storytelling and story time do to help the issue? 

Children’s mental wellness is a topic that is so close to our heart. As a brand we want to continue to build on our great work, as it is so incredibly important. We recently ran a campaign in February to support Children’s Mental Health charity, The Place2B and raised funds for them by asking our audience to share our post and we donated per share.

The pandemic has seen so many children suffer with their mental health amid so much upheaval and  increased social isolation. We have found that the Tonies audio can help children to feel like they have some company and can be a real source of solace in such a confusing time.

While so much has changed over the past year, children’s bedtime stories, for example, can act as a real anchor in their daily routine and bring some much-needed familiarity. The outside of the Toniebox itself too is so soft that children can often be seen cuddling it while they listen to stories or music – it can be incredibly soothing to them.

During the first lockdown, one mother from our community told us how her husband was on the Front Line NHS Covid ward and therefore was unable to see both his wife and young child for 19 weeks. Every night he would leave a new message for his young son on his Creative-Tonie (that you  can record yourself), who hugged it nightly whilst listening and the Toniebox became almost  synonymous with his father’s voice. A truly touching story.

What’s the next step for you guys? What can we expect to see from Tonies in the coming  weeks/months? 

We have big ideas and plans for this year – from amazing content and an accessories line-up to new  partnerships and co-operations. It will be an exciting year for Tonies and our partners.

Thank you Lucia, and just before you go, is there anything else you want to be shouting about right now?

Our wonderful founders, Patric Faßbender and Marcus Stahl, started Tonies with the belief that childhood should be a magical time, full of big adventures and loving memories. They wanted to create a way for kids to experience storytelling in a digital age, stimulating their imagination and  creativity in ways that a screen simply cannot.

Patric and Marcus originally dreamed of every child having a Toniebox in their bedroom and it’s so wonderful to see that dream is now becoming a reality: so far, we have sold over 20 million Tonies globally.

Tonies offers an immersive, wondrous experience you can feel good about, but more importantly a community you can be part of now and  for many years to come.

LEGO and NASA partner on Space Shuttle Discovery set launch, with help from Astronaut Dr Kathy Sullivan

The LEGO Group has partnered with NASA to launch its new LEGO NASA Space Shuttle Discovery set, a new science-focused construction set aimed at the adult LEGO fan audience.

The new set was officially revealed this week by the former NASA Astronaut, Dr Kathy Sullivan, who was part of the original NASA STS-31 mission over 30 years ago. This was the mission that launched the Hubble Telescope, the telescope that has gone on to capture images of the universe and shape our understanding of space.

To celebrate the launch of the new LEGO NASA Space Shuttle Discovery, the LEGO Group spoke to Dr. Kathy Sullivan about her experience onboard the original NASA STS-31 mission and how the real-life space shuttle compares to the LEGO model’s detailed build of the spacecraft and famous Hubble Space Telescope.

Filmed at COSI (Center of Science and Industry), the interview is now available on lego.com/gobeyond, and sees Dr. Kathy Sullivan detail the incredible mission, which launched the Hubble Space Telescope into the cosmos – enabling NASA, and scientists around the world, to explore more of the universe than ever before.

The interview also delved into Dr. Sullivan’s thoughts on encouraging more young people into STEM careers and the future of space exploration.

The new LEGO NASA Space Shuttle Discovery is a complex 2,354 piece build that pays homage to this pioneering moment in space history and marks the 40th anniversary since the first Space Shuttle flight on 12th of April 1981.

Aimed at adult builders, the set features the Discovery orbiter with functional landing gear, payload bay doors, elevons and rudder; and the Hubble Space Telescope, which can either be folded and contained within the payload bay or expanded with solar array and displayed separately.

Both also come with a display plaque which features key data from the mission.

Dr. Kathy Sullivan said: “I was thrilled to see the space shuttle in LEGO form, and was very impressed by the amount of intricate detail they have managed to recreate from the module where we used to sleep and eat through to what we called the “milk stalls” on the telescope.

“Looking at the model, it was great to reminisce about my experiences in space launching the telescope for the first time. Hubble is definitely the highlight of my career. This LEGO model is a great way for LEGO builders and space fans alike to get excited about space travel and learn more about the famous mission in a fun and engaging way.”

Marking the passing of 30 years since the original mission, LEGO has delved into people’s passion for space to uncover what they think of exploration. 72 per cent of those asked believe space exploration is ‘essential’. 24 per cent of them believe that we will find new planets, and 13 per cent think we will find alien life in the next 30 years.

71 per cent of people believe there is life on other planets, while over half think there will be space tourism in the next 30 years.

Speaking with LEGO, Dr Kathy Sullivan suggested that “the biggest barriers to space tourism in the next 30 years is the safety and costs elements, if we can break through these the general public really could take a trip to space in the future.”

As part of the wider LEGO Go beyond campaign, that kicks off with this product launch, space and LEGO fans alike can head to lego.com/gobeyond to watch the interview and find out more about the original mission, discover more about the LEGO NASA Space Shuttle Discovery set and access some great online space learning tools from LEGO Education.

LEGO® NASA Space Shuttle Discovery is on sale 1st April from LEGO.com and LEGO Retail stores.

LEGO and NASA partner on Space Shuttle Discovery set launch, with help from Astronaut Dr Kathy Sullivan

The LEGO Group has partnered with NASA to launch its new LEGO NASA Space Shuttle Discovery set, a new science-focused construction set aimed at the adult LEGO fan audience.

The new set was officially revealed this week by the former NASA Astronaut, Dr Kathy Sullivan, who was part of the original NASA STS-31 mission over 30 years ago. This was the mission that launched the Hubble Telescope, the telescope that has gone on to capture images of the universe and shape our understanding of space.

To celebrate the launch of the new LEGO NASA Space Shuttle Discovery, the LEGO Group spoke to Dr. Kathy Sullivan about her experience onboard the original NASA STS-31 mission and how the real-life space shuttle compares to the LEGO model’s detailed build of the spacecraft and famous Hubble Space Telescope.

Filmed at COSI (Center of Science and Industry), the interview is now available on lego.com/gobeyond, and sees Dr. Kathy Sullivan detail the incredible mission, which launched the Hubble Space Telescope into the cosmos – enabling NASA, and scientists around the world, to explore more of the universe than ever before.

The interview also delved into Dr. Sullivan’s thoughts on encouraging more young people into STEM careers and the future of space exploration.

The new LEGO NASA Space Shuttle Discovery is a complex 2,354 piece build that pays homage to this pioneering moment in space history and marks the 40th anniversary since the first Space Shuttle flight on 12th of April 1981.

Aimed at adult builders, the set features the Discovery orbiter with functional landing gear, payload bay doors, elevons and rudder; and the Hubble Space Telescope, which can either be folded and contained within the payload bay or expanded with solar array and displayed separately.

Both also come with a display plaque which features key data from the mission.

Dr. Kathy Sullivan said: “I was thrilled to see the space shuttle in LEGO form, and was very impressed by the amount of intricate detail they have managed to recreate from the module where we used to sleep and eat through to what we called the “milk stalls” on the telescope.

“Looking at the model, it was great to reminisce about my experiences in space launching the telescope for the first time. Hubble is definitely the highlight of my career. This LEGO model is a great way for LEGO builders and space fans alike to get excited about space travel and learn more about the famous mission in a fun and engaging way.”

Marking the passing of 30 years since the original mission, LEGO has delved into people’s passion for space to uncover what they think of exploration. 72 per cent of those asked believe space exploration is ‘essential’. 24 per cent of them believe that we will find new planets, and 13 per cent think we will find alien life in the next 30 years.

71 per cent of people believe there is life on other planets, while over half think there will be space tourism in the next 30 years.

Speaking with LEGO, Dr Kathy Sullivan suggested that “the biggest barriers to space tourism in the next 30 years is the safety and costs elements, if we can break through these the general public really could take a trip to space in the future.”

As part of the wider LEGO Go beyond campaign, that kicks off with this product launch, space and LEGO fans alike can head to lego.com/gobeyond to watch the interview and find out more about the original mission, discover more about the LEGO NASA Space Shuttle Discovery set and access some great online space learning tools from LEGO Education.

LEGO® NASA Space Shuttle Discovery is on sale 1st April from LEGO.com and LEGO Retail stores.

The art of Hatsune Miku | The virtual pop sensation that’s selling out concerts, inspiring art projects, and growing a global licensing programme

Even by the standards of a generation that grew up on the animated band, Gorillaz or witnessed the explosion of the BT21 brand (a lifestyle brand comprising characters devised by members of the K-Pop brand BTS), Hatsune Miku presents an interesting concept.

Officially, Hatsune Miku is a Vocaloid software voicebank that has been developed by Crypton Future Media that takes on the appearance of a 16 year old singer designed in the style of the Japanese anime art form. To the legions of fans of Hatsune Miku across Japan and increasingly, the Western World, she is a virtual pop sensation.

Utilising Yamaha Corporation’s Vocaloid 2, Vocaloid 3, and Vocaloid 4 singing synthesizing technologies, Hatsune Miku has performed at sell-out concerts onstage as an animated projection with a definitive look that has led to a large scale licensing operation across Japan. And the appeal is spreading.

Most recently, this virtual pop-star was announced the first licensed partner for the Japanese restaurant Shoryu Ramen and its range of DIY Ramen Kits. The partnership marked the latest development for the brand’s move in on the UK market,and, while there is still some distance to go before its popularity hits the same notes as its Japanese reverence, the European licensing agency, Reemsborko is excited by the potential.

Here, Licensing.biz catches up with Max Arguile, director of Reemsborko to learn more about Hatsune Miku’s global licensing plans and understand the deep passion that the virtual pop star’s audience has for the brand.

Hello Max, thanks for chatting. So, Hatsune Miku is an interesting concept. A vocal software package that takes on the shape of an anime 16 year old pop star. It sounds like a hard sell, but we’ve seen the extensive list of licensing partners signed to the brand already. It’s clear this brand works. But what drives it? What is it about Hatsune Miku that caught the audience attention?

It is interesting, and with Hatsune Miku, the fans are involved from the very beginning via the creative aspect of the property. Hatsune Miku and five other characters originate from a voice software package that allows you to generate a song from scratch. Using that software, fans have created music and video contents featuring the characters, and published them on the internet for other fans to enjoy. There are more than half a million of these fan-created videos that can be viewed online.

The fans also make a lot of artwork of Miku and friends, which is also uploaded. The whole thing adds up to a vibrant online community of Miku fans that sometimes don’t even have the chance to meet up in real life, like when the Miku Expos happen.

And what are these Miku Expos, because they sound fun?

Miku Expos are live tours, the last of which was in early 2020 – five dates starting with Brixton Academy in London, then France, Germany, Holland, and Spain. I went to the London date and was blown away by the ardour of the fans, many of whom (men and women) were in cosplay, dressed as Miku or one of the other characters.

The next day, keen for a chance to congregate once more, hundreds of them came to an in-store event at Westfield Shepherds Bush in order to meet up and contribute to a collaborative art project.

OK, let’s explore that a bit more… what do these collaborative art projects look like?

Alongside every Miku Expo, wherever possible, Crypton will organise a meet-up in the same town as the concert. This is advertised in advance and they will have the tour merchandise and other Miku merchandise on sale at the venue for perhaps two weeks in advance of the concert, culminating in a collaborative art project.

The venues can be a local comic shop, but in our case it was a Japanese restaurant/supermarket. The venue gets increased traffic in the lead up to the gig (the merch often sells out and needs to be replenished by the day of the concert) and on the activity day there can be 100 to 200 people that arrive and take part in the project.

It used to be old school felt tip pens and paper but in this case it was mostly digital. On arriving at the front of the queue, the fans were invited to download an app to their phone or tablet – this revealed black and white artwork. The first 50 people got an exclusive Miku stylus to use when doing the colouring. Once they had finished, they uploaded the artwork to a site to be shared with other fans. The venue had a hugely increased footfall on Sunday morning in January and they sold a lot of product in general, the fans loved being able to make Miku artwork together and just hang out.

So, art projects and cosplay events to one side, for the moment, what do you think Hatsune Miku is bringing to the licensing space? Why does it translate well for European audiences, and how does the licensing approach differ between the Japanese and the European markets?

Hatsune Miku is essentially, a fun property based around creativity. It has the loo and feel of anime, which is one of the biggest trends in licensing right now. Miku’s appeal is international, so is perfect for licensees with that distribution but for me it means I can also now talk to licensees in other territories that may only need to service their local market.

In Japan, this is a brand that is licensed on a very large scale, but internationally it still has some distance to go before reaching the same level. Although buyers can still be resistant to change and wary of something unfamiliar, once in-store, it always works. The reactions we’ve had from licensees once their product goes into retail just exceeds all expectations. Trademark has told that the brand has become one of the top selling properties in HMV, and it has sustained that popularity.

Given the brand’s roots and creation, is Hatsune Miku a good representation of the surge in popularity of anime and manga across the European markets?

Yes and no. Unlike most animé, there is no narrative content behind the brand – in that sense it is closer to Hello Kitty than traditional animé, but there is no committee that meets once a week and might get to review your submissions (but might not) so the approval process on Miku is much slicker.

The team at Crypton are not just the best for approvals in animé, they are one of the best I have ever worked with in 25 years of licensing. In terms of markets, Ben Woodman from GB eye put it very well when he told me that “Miku is a key animé property, her popularity has grown across Europe in the last 12 months and despite the pandemic, we’ve seen our Miku sales increase year on year.”

With various streaming platform really ramping up their anime content over the past 12 months, it seems like the pandemic could have presented a real opportunity to tap directly into emerging audiences. What lasting effect do you think the past year will have in the popularity of manga/anime IP?

Licensing around tent-pole theatrical releases will come back, eventually,  but right now, while cinemas are closed, licensees could be forgiven for avoiding film licenses. Everyone stayed home in 2020 and 2021 will unfortunately see much of the same. People have been used to getting entertained at home and the big winners, I have been told umpteen times by licensees, are gaming and animé brands.

Investment in the production of original animé by Netflix is expanding, Amazon and HBO are continuing to secure classic animé properties, and Crunchyroll has just hit 4 million paid subscribers (their fastest growth to date because they only reached 3 million last year).

Beyond that, the purchase of Crunchyroll by Funimation will soon yield an animé powerhouse in the West. So yes, there is a lot of activity in the industry which will ensure not only that classic properties are more available but that new content continues to be created. It is a great time to be an animé fan.

You’ve shown us a list of the licensing partners that Hatsune Miku is already signed up. There are 18 of them, signed in just the past year, including AR badges and pop-up restaurants. It was only a year ago that you had just two deals. That’s some impressive licensing there, Max. How will you continue to innovate and push the envelope in the licensing of the brand?

I have lots of plans in place to keep the Hatsune Miku brand innovative in the licensing space. The adult colouring book from Anthem fits very nicely from a creative perspective, and the WristWorld mobile game (a company run by teenagers in Oklahoma) is also notable. I also love the limited edition screen-prints from Under The Floorboards and the Rubber Road range – the Christmas decoration is sold out and the rubber duck is in progress. If we can do that and it be commercial, then surely the sky is the limit?

What are your expectations for the brand this year and beyond? Will anime/manga continue to grow in popularity across Europe, and what does the future hold for Hatsune Miku?

The expectations are that yes, anime/manga will continue to grow across Europe. For Miku, there should be return to live touring next year but since performing in front of fans is not possible right now (not even for virtual pop stars), Crypton is putting on a free online gig this summer.

Launched on Kickstarter, the target of $240K was reached in 24 hours – the fans sure love Miku. Check out the Kickstarter campaign here.

Merchantwise Licensing named Australian and New Zealand licensing agent for Kiri and Lou

Merchantwise Licensing has been named the Australian and New Zealand licensing agent for the pre-school brand, Kiri and Lou, having already secured the support of Scholastic Australia with a series of Kiri and Lou titles scheduled for release later this year.

Meanwhile, already in active development are product categories including toys and apparel.

“We are thrilled to embark on this next stage of the Kiri and Lou journey, and to work with Merchantwise Licensing to meet the needs of fans,” said Kiri and Lou producer, Fiona Copland. “It’s exciting to see it growing in a way that brings joy, which is what Kiri and Lou is all about.”

Kerryn McCormack, Merchantwide Licensing’s general manager, added: “We are absolutely delighted to be representing Kiri and Lou across Australia and New Zealand. With an acclaimed creative team, truly creatively unique, Kiri and Lou has already seen great brand success internationally and we are certain it will perform equally as well in its hometown of New Zealand and across the Tasman in Australia.

“We can’t wait to roll-out publishing titles with Scholastic Australia and know both apparel and toy ranges will be popular with preschoolers.”

Produced in New Zealand, the award-winning pre-school series Kiri and Lou has been making waves around the world. With 52 five-minute episodes already released and a further 26 slated to air throughout this year, in Australia Kiri and Lou is on-air on ABC KIDS and in New Zealand on TVNZ.

Kiri and Lou centres on the friendship between Kiri, a feisty little dinosaur, and Lou, a gentle and thoughtful creature, as they explore the world of feelings through laughter, song and outdoor adventure.

Original and imaginative, Kiri and Lou invites children to learn about empathy and how to get along, through warm-hearted and gently humorous storylines which are resonating with audiences of all ages.

The show is hand-crafted in paper and clay and created using traditional stop-motion animation from Antony El-worthy (Coraline, Corpse Bride, Isle of Dogs).  The series is voiced by Jemaine Clement (Flight of the Conchords, Moana, Rio) and Olivia Tennet (Lord of the Rings) and is written and directed by feature film director Harry Sinclair.

It is produced by Fiona Copland for Stretchy and Heather Walker of Yowza Animation.

Brands In signs pan-European partnership with Disney and its new and existing IP slate

The licensed fashion apparel licensee, Brands In, has inked a pan-European agreement with Disney, marking a substantial long-term commitment for growth from both companies, to roll out children and adult fashion ranges across all of the Disney, Pixar, Marvel, and Star Wars franchises.

The partnership will see the roll out of ranges through the remainder of Q1 and into spring/summer this year and covers existing and upcoming IP in the Disney catalogue. In 2020, Brands In saw strong retail sales, including print on demand, with its children and adult ranges.

 As UK and European retail opens up again in the coming months, the 2021 Disney fashion apparel SKU’s designed and printed in-house by Brands In’s creative team will focus on delivery to a range of retail destinations across Europe which includes bricks and mortar as well as online.

The partnership will make use of the Brands In wholesale and print on demand drop ship fulfilment capabilities. Disney has bought into Brands In’s ability to provide quality product that is responsibly sourced, provides a rapid approvals process and delivers to market within a maximum of two weeks.  

Rick Lowe, managing director at Brands In, said: “This is a significant step forward for our Disney business, and a move that we are very excited about. Disney is renowned for the quality of its licensed apparel, as well as its rich IP, particularly with its new Disney+ service.

“Brands In will now be focussing on mainland Europe to combine speed to market across a vast choice of new designs with our apparel ranges. We are proud that Disney are confident in our ability to achieve these ambitious plans and we look forward to continued growth of this partnership.”